Uzeda, The Necks, Six Organs Of Admittance
THE NECKS are one of the great cult bands of Australia.
Chris Abrahams (piano), Tony Buck (drums), and Lloyd Swanton (bass) conjure a chemistry together that defies description in orthodox terms.
Featuring lengthy pieces which slowly unravel in the most mesmerising fashion, frequently underpinned by an insistent deep groove, the eighteen albums by The Necks stand up to re-listening time and time again.
The deceptive simplicity of their music throws forth new charms on each hearing. Not entirely avant-garde, nor minimalist, nor ambient, nor jazz, the music of The Necks is possibly unique in the world today.
UZEDA is an Italian quartet (Giovanna Cacciola on vocals, Raffaele Gulisano on bass, Davide Oliveri on drums, Agostino Tilotta on guitar) that represents one of the most original takes on noise-rock of the 1990s. Out of Colours (A.V. Arts, 1991), Waters (A.V. Arts, 1993) and the four-song EP 4 (Touch and Go, 1995) slowly cemented a style that is both brutal and lyrical, fierce and mercyful, physical and psychological, but never derivative of the American masters of noise-rock.
After 13 years from the last releases, the band with the beloved friend Steve Albini recorded Quocumque Jeceris Stabit released through Overdrive in EU and Temporary Residence in USA.
Once again, SIX ORGANS OF ADMITTANCE showcases the intricate tangle of fingers on the fretboard and flash of lens flare slicing the air, as the future arcs 360 degrees around to become a part of the past as well. Oscillations in this glass bowl ripple outward eternally, but are rooted on the ground where all the creatures are moving and communing; humans too. An intimate cosmic expression, file under: rural-industrial psych, ecosystem goth.
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THE NECKS are one of the great cult bands of Australia.
Chris Abrahams (piano), Tony Buck (drums), and Lloyd Swanton (bass) conjure a chemistry together that defies description in orthodox terms.
Featuring lengthy pieces which slowly unravel in the most mesmerising fashion, frequently underpinned by an insistent deep groove, the eighteen albums by The Necks stand up to re-listening time and time again.
The deceptive simplicity of their music throws forth new charms on each hearing. Not entirely avant-garde, nor minimalist, nor ambient, nor jazz, the music of The Necks is possibly unique in the world today.
UZEDA is an Italian quartet (Giovanna Cacciola on vocals, Raffaele Gulisano on bass, Davide Oliveri on drums, Agostino Tilotta on guitar) that represents one of the most original takes on noise-rock of the 1990s. Out of Colours (A.V. Arts, 1991), Waters (A.V. Arts, 1993) and the four-song EP 4 (Touch and Go, 1995) slowly cemented a style that is both brutal and lyrical, fierce and mercyful, physical and psychological, but never derivative of the American masters of noise-rock.
After 13 years from the last releases, the band with the beloved friend Steve Albini recorded Quocumque Jeceris Stabit released through Overdrive in EU and Temporary Residence in USA.
Once again, SIX ORGANS OF ADMITTANCE showcases the intricate tangle of fingers on the fretboard and flash of lens flare slicing the air, as the future arcs 360 degrees around to become a part of the past as well. Oscillations in this glass bowl ripple outward eternally, but are rooted on the ground where all the creatures are moving and communing; humans too. An intimate cosmic expression, file under: rural-industrial psych, ecosystem goth.